T4G "Rap" Up
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Dedicated to preachers and preaching.
“For the record, Luther did not take "bar tunes" and put biblical words to them. That legend comes from a comical misunderstanding. Someone apparently heard a music historian referring to Luther's use of the "bar form," which refers to a stanza structure, not to what drunks sing in a tavern. Luther did borrow and adapt tunes from earlier hymns, medieval chants, and contemporary composers, but a good number of his melodies were his own original compositions.”See the full article here.
"Warren's book "The Purpose-Driven Life" has sold more than 25 million copies, making it the best-selling hardcover book of nonfiction ever published in the United States, and some say Saddleback has more in common with Google or Starbucks, at least in scope, than the typical church. Warren has a public and a brand to manage."As for Ross the article asks the obvious question:
"The Kingdom of God itself is a client of sorts. Publicity, marketing and branding are his ministry. So the real question becomes, Why does God need someone to sell him?"
If your spouse or roommate were to roll you out of bed at 3 A.M. and ask, "What is the sermon about this Sunday morning?" if you cannot answer in one crisp sentence, the sermon's not ready to preach. You need an idea people can grasp. If the sermon’s idea is, "In the Babylonian incarceration of God's people, they suffered for seventy years to determine what God's plan was and never could determine it..." and you keep talking, that idea is not going to pass the 3 A.M. test. We need something like "God remains faithful to faithless people," something that's crisp.See the complete interview here.
“the right questions of the text: (1) What does this account tell us about God? (2) What does it tell us about the human condition? (3) What does it tell us about the world? (4) What does it tell us about the people of God—their collective relationship with Him? (5) What does it tell us of the individual believer’s life of faith?” (604).For a more detailed treatment of preaching narrative I would recommend “Guidelines for Understanding and Proclaiming Old Testament Narratives” by Steven D. Mathewson as a starting point. There is still much work that needs to be done in this area in the way of helpful materials and resources. If you know of any please let us know by way of comment.
“Here is Jesus standing outside the tomb of his dear friend Lazarus, weeping."This paraphrase conveys a little more emotion and color than the original verse but not much. However, if we said:
“Here is the transcendent God of the universe, the one who will be exalted above all things, who will sit at the right hand of the Father, being fully God yet showing the humility of being fully man. The one we see here outside of this tomb is not strong in the eyes of the world but like Isaiah said ‘he was a man of sorrows and acquainted with grief.’ This is the one who is weeping for His dear friend and this is the one who sympathizes with our weaknesses. YET it is this weeping man that will also call his friend from that very tomb. He will command a rotting corpse to get up and make its way out for all to see when He shouts the command, ‘LAZURUS, COME FORTH!’ Here inside of these two words, “Jesus wept” we see a humble man moved by the death of a friend. Yet the text also shows a man who is fully God, who is sovereign Lord, creator and sustainer of all life. We must see Him in all His fullness here. He is not a dispassionate or reclusive god or even a mere man who is a slave to his emotions. Here we have the God-Man. Sad yet sovereign, moved yet the Mover, and compassionate yet infinitely powerful.”On a practical level, I try not to go overboard editing my manuscript notes. However, I do check them for redundancies which can often be cured with a synonym or a clearer phrase. Make time to give a final edit to your notes, even if it’s a once over just before you preach. Go back to your most recent sermon and notice where these rhetorical devices would have proved more effective. You might take note of patterns or stylistic problems that can translate into hindrances for those who are there to hear your message. However, guard your editing practices from hyper self-criticism. Biblical sermons are not works of art without stylistic problems or imperfections. I have seen some preachers go overboard in editing and get caught up in the “romance” of crafting a sermon. T. H. L. Parker is wise to comment about the expositor that “a proper humility before God and modesty concerning himself and his capabilities are not to hinder the preacher from the bold assertion of the authority of the message he has to deliver. Indeed, it is a dereliction of his duty if he does not claim that authority” (Calvin’s Preaching, 44).